The Grandmother of rock ´n roll
Sister
Rosetta Tharpe se destacó como cantante de “gospels”,
y por su técnica con la guitarra eléctrica, convirtiéndose en precursora del rock-and-roll,
e influenciando a cantantes como Chuck
Berry y Elvis Presley. En 1939
convertía a This Train en un hit y en
1964 tocaba, junto a Muddy Waters, en
Manchester ante un público
enfervorizado. Tharpe
puso a los spirituals como
protagonistas y ayudó en el ascenso del pop-gospel.
En vocabulario: foray y para saber: gospel music. Al final un video para
practicar nuestro inglés con la vida de la gran Sister Rosetta Tharpe
Gospel music can be traced to the early 17th century, with roots
in the black oral tradition…
The advent of
radio in the 1920s greatly increased the audience for gospel music…
Sister Rosetta Tharpe (March 20, 1915 – October 9, 1973) was an American singer, songwriter, guitarist,
and recording artist. She attained popularity in the 1930s and 1940s with her gospel recordings, characterized
by a unique mixture of spiritual lyrics
and rhythmic accompaniment that was a precursor of rock and roll. She was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences.
She influenced early rock-and-roll musicians, including Little Richard, Johnny
Cash, Carl Perkins, Chuck
Berry, Elvis
Presley and Jerry Lee Lewis.
Rosetta Tharpe |
Tharpe was a pioneer in her guitar technique; she was among the first popular
recording artists to use heavy distortion on her electric guitar, presaging the
rise of electric blues. Her guitar
playing technique had a profound influence on the development of British blues in the 1960s; in
particular a European tour with Muddy Waters in 1964 with a stop in Manchester on 7 May is cited by
prominent British guitarists such as Eric Clapton, Jeff Beck, and Keith Richards.
Willing to cross
the line between sacred and secular by performing her music of
"light" in the "darkness" of nightclubs with big bands
behind her, Tharpe pushed spiritual music into the mainstream and
helped pioneer the rise of pop-gospel,
beginning in 1938 with the recording "Rock
Me" and with her 1939 hit "This
Train". While she offended some conservative churchgoers with her forays
into the pop world, she never left gospel
music.
Vocabulario
foray: attack, incursion.
"The
garrison made a foray against Richard's camp"
Para saber
Gospel music is a genre of Christian
music. Gospel music can be traced
to the early 17th century, with roots in the black oral tradition. The original
gospel songs were written and
composed by authors such as George F.
Root, Philip Bliss, Charles H.
Gabriel, William Howard Doane, and Fanny Crosby. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the
audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.
"This Train" (5, 31)
"This Train", also known as "This Train Is Bound for Glory", is a traditional American gospel song first recorded in
1922. Although its origins are unknown, the song was relatively popular during
the 1920s as a religious tune, and it became a gospel hit in the late 1930s for
singer-guitarist Sister Rosetta Tharpe.
After switching from acoustic to electric guitar, Tharpe released a more secular version of the song in the early
1950s.
Comentarios
“I'm an old man,
and i can remember singing this as a child growing up in Mississippi. Without
Black music there would be no rock, period. Here the two cultures are linked,
especially so in the 50s and 60s. It's really weird to listen to people in
places in the Northeast try to sink this stuff. It's literally part of us.”…
"Down by the Riverside" (2, 52)
"Down by the Riverside" is a spiritual. Its roots date back to before the American Civil War, though it was first
published in 1918 in Plantation Melodies:
A Collection of Modern, Popular and Old-time Negro-Songs of the Southland,
Chicago. Because of its pacifistic imagery, "Down by the Riverside" has also been used as an anti-war
protest song, especially during the
Vietnam War.
It was most
famously, and influentially, recorded by Sister
Rosetta Tharpe in late 1944, becoming a hit record in 1945. Released as a
single by Decca Records, Tharpe's version featured her vocals and resonator guitar,
with Sammy Price (piano), bass and
drums.
Para practicar
“I met her in a
jazz club in 1964 and I'm proud to say she was a guest at my wedding in September
1964. I loved the documentary I learned a lot about her I didn't know…”
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