Nina Hagen y Nana Mouskouri
¡Qué extraño habrá sido escuchar Lili
Marlene, al anochecer, en un campamento partisano, en algún
lugar de Yugoslavia, a través de las
ondas de la radio! Los recuerdos de los soldados, sus fantasías, sus miedos.
Como traer algo de estabilidad y orden al infierno de la guerra, como sentir
una voz amiga, como recordar a la amante, a la madre, al hogar.
No era un mensaje engañoso, de una propaganda, ni
tenía nacionalidad ni fronteras. Era una canción que había sacudido a todos, nazis o no. Hablaba
de amor y de volver, volver a ver a sus seres queridos, de
vuelta a sus tierras.
Fitzroy
Maclean recuerda la sensación de escuchar Lili Marlene en Radio Belgrado, en la Campaña del Desierto. El protagonismo
de Marlene Dietrich con Lili Marlene. En video vemos a Nina Hagen
y Nana Mouskouri cantando Lili Marlene y en vocabulario: husky
Muchos soldados aliados tenían la premisa de
escuchar la canción al final del día. Fitzroy
Maclean describe el efecto de la canción en la primavera
del ´42, en la Campaña del Desierto…
Belgrado
aún estaba lejos, pero ahora se había convertido en nuestro objetivo y Lili Marlene, con su tono nostálgico,
parecía simbolizarlo…
La
Campaña del Desierto tuvo lugar en los desiertos de Egipto y Libia…
Prisioneros yugoslavos supervisados por búlgaros y alemanes |
Many Allied soldiers made a point of
listening to the song at the end of the day. For example, in his memoir Eastern Approaches, Fitzroy Maclean describes the song's effect in the spring of 1942
during the Western Desert Campaign: "Husky, sensuous, nostalgic, sugar-sweet, her voice seemed to
reach out to you, as she lingered over the catchy tune, the sickly sentimental
words. Belgrade... The continent of Europe seemed a long way away. I
wondered when I would see it again and what it would be like by the time we got
there."
The next year,
parachuted into the Yugoslav
guerrilla war, Maclean wrote:
"Sometimes at night, before going to sleep, we would turn on our receiving
set and listen to Radio Belgrade…"
In 1944, the Morale Operations Branch of the U.S. Office
of Strategic Services (OSS) initiated the
Muzak Project, musical propaganda broadcasts designed to demoralize enemy
soldiers. Marlene Dietrich, the only
performer who was told her recordings would be for OSS use, recorded a number of songs in German for the project, including "Lili Marleen".
Dietrich also performed "Lili Marlene",
as well as many other songs, live in Europe
for Allied troops, often on rickety,
makeshift stages.
While she was
touring the world in live one-woman cabaret shows from 1953 to 1975, the song
was part of Dietrich's usual line-up,
usually following "Falling in Love
Again". She always introduced the song with some variation of this
quote, from a 1960s concert, somewhere in Europe:
Now, here is a song that is very close to
my heart. I sang it during the war. I sang it for three long years, all through
Africa, Sicily, Italy, to Alaska, Greenland, Iceland, to England, through
France, through Belgium ... [long pause] ... to Germany, and to Czechoslovakia. The soldiers loved it, 'Lili Marlene'.
Para saber
The Western Desert campaign took place in the deserts of Egypt and Libya and was the main theatre in the North African campaign of the
Second World War. Military operations began in June 1940 with the Italian declaration of war and the Italian invasion of Egypt in September. Operation
Compass, a British five-day raid
in December 1940, led to the destruction of the
Italian 10th Army. Benito Mussolini
sought help from Adolf Hitler, who
sent a small German force to Tripoli.
Vocabulario
Husky: (of the voice) having a semi whispered vocal tone; somewhat hoarse, as
when speaking with a cold or from grief or passion.
Nana Mouskouri & Nina Hagen - Lili Marleen - In
Live - 1990
Gracias por permitirnos disfrutar esto
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